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不能播放，報(bào)錯(cuò)《戰(zhàn)火下》劇情簡(jiǎn)介
Three journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in 1979.
《戰(zhàn)火下》相關(guān)視頻
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10.0
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1946 戰(zhàn)爭(zhēng)簡(jiǎn)介：本片以第二次世界大戰(zhàn)末期，在意大利登陸的美軍攻破德軍防線為背景，導(dǎo)演以令人感動(dòng)的場(chǎng)面把美軍從南部攻到北部期間所引發(fā)的一些意大利民間故事編成一部有連貫性的社會(huì)寫實(shí)的電影，畫面上的真實(shí)感，給予人們非常大的沖擊，創(chuàng)下了意大利電影的新潮流……大師羅西里尼的戰(zhàn)后三部曲的第二部，第一部是《羅馬，不設(shè)防的城市》，最后一部是《德意志零年》。作為新現(xiàn)實(shí)主義的奠基人，羅西里尼幾乎不使用劇本，并明確拒絕使用攝影棚、服裝、化妝和職業(yè)演員。影片由6個(gè)小故事組成，背景是二戰(zhàn)后期盟軍在意大利登陸后攻破德軍防線，從南部向北部進(jìn)攻期間引發(fā)的一些民間小故事。羅西里尼在攝影機(jī)前重現(xiàn)了美國(guó)大兵，游擊隊(duì)員、修道士，妓女，以及普通平民在那個(gè)烽火連天的歲月里的真實(shí)遭遇，影片穿插了很多真實(shí)的戰(zhàn)爭(zhēng)鏡頭，令觀眾感同身受。 -
9.0
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2020 戰(zhàn)爭(zhēng)簡(jiǎn)介：應(yīng)正式邀請(qǐng)，俄羅斯社會(huì)學(xué)家馬克西姆·舒加利（Maxim Shugaley）及其同伴和翻譯薩梅爾·蘇凡（Samer Sueifan）前往被激進(jìn)組織分裂的利比亞。他們的任務(wù)是進(jìn)行研究，以結(jié)束戰(zhàn)爭(zhēng)。但是，在工作過程中，俄羅斯專家遭到武裝分子綁架，并被關(guān)在私人監(jiān)獄中長(zhǎng)達(dá)一年多。由于和平解決這一問題的外交努力陷入僵局，俄羅斯方面開始準(zhǔn)備實(shí)施救援行動(dòng)。
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7.0
舒加利2
2020 戰(zhàn)爭(zhēng)簡(jiǎn)介：Russian sociologist Maxim Shugalei and his colleague interpreter Samer Suifan are still imprisoned in a Libya. For more than a year now they tortured and psychologically abused. Nevertheless while imprisoned, Maksim Shugalei continues to work trying to understand the logic of the global terrorism actions. Collected by the sociologist information is dangerous for the Lybian mili...
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7.0
舒加利3
2021 戰(zhàn)爭(zhēng)簡(jiǎn)介：Maxim Shugalei the sociologist and Samer Suifan his interpreter are finally returning back to Russia after a long imprisonment in the Libyan Mitiga prison. A few months later, Shugalei is approached by his friend - Farid, a former bank manager in Tripoli, and offers sociologist a meeting in Egypt - he has new information about terrorists in Libya. But the meeting of friends in ...
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2.0
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2023 戰(zhàn)爭(zhēng)簡(jiǎn)介：Sibiu ’89 reenacts a lesser-known story about those days of violent civil unrest that led to a bloody confrontation between the army forces and Ceau?escu’s instruments of repression, the Militia and the Secret Police. Following rumours and disinformation about so-called “terrorists” attacking soldiers and civilians, panic and chaos ensue. No one is to be trusted, everyone could...
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4.0
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